The art of selecting devices, angles, recording media, lenses, framing and arrangement of lighting to capture moving images (see DP).

Generally the portion of a film's budget that covers the costs associated with major creative talent: the stars, the director, the producer(s) and the writer(s). (See also Below the Line)

The crew member responsible for the design, look and feel of a film's set. Includes props, furniture, sets, etc. Reports to the production designer.

Carries out the director’s instructions and runs the set. The first A.D. is responsible for preparing the production schedule and script breakdown, making sure shooting stays on schedule and on budget. The second A.D. is responsible for distributing information and cast notifications, keeping track of hours worked by cast and crew, management of ex [..]

The portion of a production budget allotted to crew and expenses that are not classified as major creative talent.

Chief assistant to either the gaffer or key grip. Responsible for the daily running of the lighting or grip department.

The physical movements and actions of actors in a given scene.

A blue or green backdrop to which computer generated images will be added to complete the background.

Overhead microphone, held on a long pole over the actors' heads.

The schedule (generally issued daily) that gives each member of each department the times and places to report to set.